Pour rester dans le thÚme du topic, voici de nouvelles photos tirées des fiches produit :
Câest mortellement attirant mais si on dĂ©passe les 600$ ça ne risque mĂȘme pas de me donner des doutes
Bon, ben, jâsais pas si Barbour cherche Ă nous mettre une disquette ou si les prix incluent les taxes dâimport, mais ceux visibles sur lâeshop de Noah nâont rien Ă voir (tout y est dĂ©jĂ sold out, Ă lâexception de la Bedale en casentino noir) :
https://noahny.com/collections/shop
Avec les -10 % sur une premiĂšre commande, la Bedale en coton dĂ©lavĂ© sortait Ă ~$540, soit Ă peine 500âŹ.
Câest vite parti ! Câest bien pour mon compte en banque âŠ
La collection est sympa
Ca donne un coup de pepâs aux modĂšles, comparĂ© aux classiques que lâon voit « partout »
Jâai Ă©tĂ© un gros fan de barbour
Maintenant je rejoindrai plutĂŽt lâavis de @JeanBono, je trouve ça mouef, lâeffet de masse trĂšs certainement.
MĂȘme si a Rouen ça ne cours pas tant que ça les rues
Mais Ă Paris il y en avait 10 au m2
Je parlais de Noah, pas Barbour.
Jâadore Barbour.
Bah du coup je trouve barbour chiant et les collab avec Noah plutĂŽt cool
My bad jâavais mal compris
Aaaaaah mais moi pareil je parlais de Barbour , je croyais que câest ça qui tâintĂ©ressait pas. Je respectais mais jâĂ©tais hyper Ă©tonnĂ© ^^
Lemaire pour homme AW24, photos du défilé.
https://www.lemaire.fr/fr/pages/runway-fall-winter-2024
Hello boys,
ça taille comment Noyoco ? Je trouve certaines piÚces sympa sur le site the bradery
Merci pour lâinfo sur cette vente.
pour le sizing câest compliquĂ©. En pantalon jâupsize (mais je nâen ai pas achetĂ© rĂ©cemment) en veste et manteaux câest variable, cf mon essai il y a qq temps :
Du coup, grĂące Ă ton message je viens de prendre le Verlaine qui me faisait de lâoeil il y a 2 ans !
Avec plaisir !
Sans guide de taille ce nâest pas Ă©vident. Et ya la collabâ Baros/Nitto qui me fait grave de lâoeil je vais aller sur ça je pense ^^
Sizing pas Ă©vident chez eux, les vestes sont boxy en gĂ©nĂ©ral lĂ oĂč le reste des hauts taille plus prĂšs du corps. Jâai pris XS sur la veste Kinsale pour 1m80 58kg et je suis confort.
Les pantalons jâĂ©vite en gĂ©nĂ©ral parce quâils sont trop courts pour ma largeur de taille, il me faut du S en largeur donc je confirme que ça sâupsize largement (w28 dâhabitude pour moi).
Attends, le Kinsale est pas trop court au niveaux des manches ?!
Jâen ai un en XS aussi, mais je fais 1m70 ! Et jâai pas retouchĂ© les manchesâŠ
Seulement quand je suis sur mon vélo, mais je fais passer les manches de mon pull en dessous pour me couvrir les poignets.
Je sais pas si je dois comprends que jâai des bras trĂšs courts
AprĂšs, Ă©tant trĂšs fin jâai bien souvent un drop shoulder « naturel » donc peut-ĂȘtre que je gagne 2-3cm par rapport Ă toi comme ça.
Possible ! Bon comme quoi Noyoco faut essayer pour savoir sa taille !
Ca dĂ©fonce Herill. Meme vibe que A.Presse. Simple mais twistĂ© juste ce quâil faut.
Vraiment cool.
Lookbook Studio Nicholson automne-hiver 2024
âIâm very into how clothes make you feel,â says Nick Wakeman, creative director and founder of Studio Nicholson. âAnyone can style something and make it look decent but as a garment, how does it make you feel?â This thinking underscores Wakemanâs excitement for fabric which design wise informs everything. âWe started this collection considering that each fabric had to have some kind of property. Is it spongy, shiny, textural, noisy?â Wakeman also obsessed over specific time periods and moods. âWe delved into 1990s fabrications, mainly out of Japan, and I was thinking about Comme and Yohji,â she said.
This collectionâs campaign was shot in Stockholm, Sweden. Wakeman and the team sought out the cityâs textures, from concrete and brutalist architecture to interesting windows, to use as a backdrop that plays off against the clothingâs various surfaces, shapes and lines. âWeâre not a minimalist brand,â says Wakeman. âThis is about perfecting the classics. Itâs about looking in detail at the classics, and then modernising them.â The shoot also showcased the debut leather bags collection, which are all designed to provide a fitting but purposeful punctuation to a Studio Nicholson look without fussy hardware or other gimmicky distractions.
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One reference point that Wakeman does frequently return to is Gus Van Santâs 108 Portraits, first published in 1992. âI look at that book all the time - not because its full of clothes, because itâs full of faces. Itâs like non-inspiration-inspiration. It allows me to dream.â she says. âItâs a mood." Elements of Van Santâs mood and the film My Own Private Idaho are quietly distilled in Wakemanâs designs for this season and into Winter 24.
Autumn 24âs colour palette across menswear and womenswear includes: airforce blue,
asphalt, black grape, bone grey, butter, dark fir, darkest navy, espresso, fossil, glacier, gull grey, peanut, plaster, tan and tarmac.
âI was thinking mostly about the cornerstones of what winter actually means for clothing,â says Nick Wakeman, creative director and founder of Studio Nicholson. âItâs ultimately about outerwear and knitwear, texture and strong fabrics.â Images from the 1990s of actors such as Michelle Pfeiffer in a plaid shirt and houndstooth tailored coat or Kim Basinger in a mannish overcoat clutching a blanket were on Wakemanâs reference board. Gus Van Santâs book â108 Portraitsâ continues to be a reference; the menâs Ray cotton check shirt is a
homage to River Phoenix.She was also thinking about Martin Margiela and Japanese architect Tadao Ando. âAndo is always on the moodboard,â smiles Wakeman, holding up a picture from 1989 of the visionary and his team. âI love how his team are just dressed in the most brilliantly essential way. No one is dressed the same but the mood is so succinct. Exactly how I want Studio Nicholson to feel.â
The Studio Nicholson Winter 2024 Menswear Module collection brings a fusion of classic tailoring and 50s-inspired sportswear, injected with modernity.
Studio Nicholsonâs magic lies in making everyday, commonplace garments feel flawlessly modern. « I am infatuated with the idea of the ordinary in place of any kind of fantasy. Ahead of designing this Winter Module collection, I looked at archival 90âs images of young film stars leaving The Viper Room in Los Angeles » says Creative Director Nick Wakeman.
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A new approach to volume and proportion is at play, with contrasting textures and considered detailing adding an elevated impression. The classic suit is refreshed in a broken pinstripe, smart shirting is softened in lofty felted wool, and knitwear is reimagined in high-twist, 8-ply ribbed lambswool. Wardrobe staples feel familiar, yet brand new.